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Short Essay #3

All the Pretty Horses by Cormac McCarthy through John Grady Cole highlights a worldview and values consistent with that of Ango-Protestant culture as defined by Samuel Huntington in Who Are We? The Challenges to America’s National Identity. One of the greatest Anglo-Protestant values is that of family and furthermore the value of the family name. This is a great aspect we see represented by John Grady throughout the novel as he leaves his family behind in Texas and moves on to Mexico and creates new relationships. Huntington describes how the American identity was formed by the settlers and impacts the way both United States society and government structure to this day. The Anglo-Protestant culture shaped the way this structure was created and defined. It laid a foundation for equality, freedom of religion, and individualism. It created a heightened sense of work ethic and motivation to promote success. 

Throughout this journey, we see both the struggles and successes of John Grady through his travels. He works hard to keep his stay at his newfound living situations and is able to make a home for himself in many different places. Thus extreme work ethic is commonly associated with the foundation laid by the Anglo-Protestants as they were known for being very hard workers. He has a wanting for exploration and newfound success. To find transportation he makes friends with many people such as farmworkers and to find living he uses his knowledge of horses and extreme work ethic. These are characteristics defined by the foundation laid by the Anglo-Protestants.

John Grady values his family as demonstrated by the pressure put on him by the death of his grandfather. Once his grandfather passes away, John Grady is the last male in his family to carry it, as represented by his funeral. It is stated by McCarthy that it was “buried with that old man” (McCarthy 4). We watch John Grady question his identity as he stares at his reflection in the portrait of his deceased ancestors. The portrait defines a culture made by both the past and present of the family. This provides him with identities of hard work, live dangerously, and promotes a desire to take risks and be independent. It was even stated that his grandfather was the last of 8 a family of wreckless brothers. McCarthy writes, “was the oldest of eight boys and the only one to live past the age of twenty-five. They were drowned, shot, kicked by horses. They perished in fires. They seemed to fear only dying in bed.” This not only paints a picture of the value of masculinity and recklessness but that of adventure and freedom. This promotes the wreckless actions of John Grady that occur in the novel. This sense of adventure came along with the motivation for travel, looking for a new life from the Anglo-Protestants. 

Through John Grady’s sense of adventure, family value, and extreme work ethic, we see many prevalent worldviews and values consistent with that of Ango-Protestant culture as defined by Samuel Huntington in Who Are We? The Challenges to America’s National Identity. John Grady represents these aspects through his hard work to maintain his keep as well of his sense of adventure and family legacy. Although these aspects have reshaped over time, they provide a framework that we can recognize in John Grady Cole as well as today.

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ERA : No Country for Old Men

This movie is set in the wild west during the 1980s. It depicts a time and culture of freedom where you can seem to get away with anything you would like. The main character is named Llewelyn Moss, he is a Vietnam war veteran who has settled down with his partner in the Midwest of the US. In the opening scene he is out hunting in the fields and gets lost tracking an animal. While he was wondering around, he come across this disturbing scene. There are about 5 or 6 cars shot up and 10 people dead on the ground. The main character has been so desensitized to these types of situations because of the war. Llewelyn walks around to find that it had been a drug deal that took a turn and he later finds the ‘last man standing’, who had a duffle bag of cash. He takes the cash, and this becomes the set up for the rest of the movie. 

The law is these two ‘cowboys’ who are lackadaisical about their duties to protect the people, and this is emphasize in the first couple of scenes. The policeman come up to an open massacre in the prairie and they seem to think little of it. It was only a drug deal gone wrong to them, and they could shrug it off. These two will later come back to the movie when the climax begins to build.  You can hear them talking about how useless they feel throughout the movie, because they can do nothing to stop all of these murders. 

Anton Chigurh is the murder in the movie. This man has murdered 3 people in cold blood before the first 30 minutes of the movie. He has been hired by drug lords to hunt and kill Llewelyn because he took their drug money. The two men have many interactions that end in shoot outs or chases, but both always come away with their lives.  The finial shoot out scene both Llewelyn and Chigurh get injured in the altercation. The two flee for help on opposite sides and part ways. 

Llewelyn runs from Chigurh and decides to pick up a hitchhiker on the way for extra protection. Yet, this doesn’t work. When they get to the next hotel local drug dealers shoot and kill the main character. Chigurh shows up and is pissed because Llewelyn didn’t give him the money. So, to keep his word Chigurh goes back to Llewelyn’s home and kills his partner, which he had promised. On his way out of the movie Chigurh gets into a car crash and brutally breaks his arm. He pays a young boy a lot of money for his shirt and then walked away from the scene of the crime. 

This movie sets the scene of a country that has little law enforcement. You are made to believe that in the Midwest you are on your own. Llewelyn has to fight his own battle and protect himself because the law enforcement in his town cannot stop the drug lords and their accomplice on a murdering spree.  As the title say, No Country for Old Men, this is not a place for the elderly or slow. If you can’t not protect yourself you will have no chance of survival.

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Short Essay #3

The Anglo-American Protestant culture, described by Samuel Huntington, is built on two main ideas: individual responsibility and work ethic. Anglo-Protestants take more pride in their work and are able to be individually responsible for themselves. They are so motivated to work and try hard because if they do, they will be a good Christian. John Grady Cole, in All the Pretty Horses, is portrayed as a boy who has prematurely aged, who values intelligence, justice, responsibility, and skill. John Grady Cole represents a worldview that relates to the Anglo-Protestant cultural worldview described by Samuel Huntington by emphasizing individual responsibility throughout his journey. 

John Grady Cole represents individual responsibility, like the Anglo-Protestants by migrating as a cowboy with only friends to the Mexican border, wanting to live the legacy of his grandfather. They face a lot of adversity and lose connection from one another, allowing Grady to show off his responsible nature. Grady is clearly more individually responsible than Blevins. Since Blevins was afraid of lightning, he hid in a ditch and couldn’t be individually responsible for his own horse and fear. When Rawlins and Grady were being tortured and interrogated, it was Rawlins who made the false confession– falsely turning themselves in to go to prison. While living in a very dangerous and violent prison, John Grady Cole was able to stand up against a wealthy prisoner asking to be bribed. He was just being individually responsible for his cowboy culture, refusing to ally him. This caused him to become a target and under attack. During the attack, he is able to physically fight for himself, coming out injured but victorious. He’s sent to the infirmary and then get’s let out of the prison before completely healing. He then has to be individually responsible for his health, his culture and problems. He is trying to win Alejandra over, so John Grady Cole’s maturity and individual responsibility illuminates throughout the journey, preparing for his future with a lady. He finds out that Alejandra can’t leave her family for him, so he keeps a strong connection with his own culture as a cowboy, retrieving his horses. He then crosses back into Texas, finding out that he does not have a home, a father, a ranch or friends.  

The death of John Grady Cole’s grandfather ignited the journey for John which is a symbol for his maturity and individual responsibility. His mother wants to sell the ranch, so it is now his responsibility to keep the family culture alive. A lot of weight was put on his shoulders after his loss, and he handled it as an Anglo-Protestant would. He made many responsible decisions through difficult circumstances. He made individual decisions that he knew were justified and proper. When he didn’t, like when he confessed of killing a man, he was backed up and told that sometimes those sorts of things must be done. His journey made him grow exponentially as a responsible individual, highlighting one of the key aspects of Anglo-Protestant culture. He kept pursuing through adversity and watching out for himself– everything an Anglo-Protestant would want to be a good Christian. 

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257-conclusion All the Pretty Horses ERA

At the end of All the Pretty Horses, John Grady Cole revisits or tries to revisit many people and places he encountered earlier in the story. First, he goes back to the jail town that he was held in with Blevins and Rawlins to try to retrieve their horses. He ends up doing so, but gets shot in the process. As a consolation prize, he takes the captain hostage, and also shakes off the people chasing him. In this part of the novel it is fairly evident that John Grady Cole has been hardened by the events of his adventure. This shines through when Joh Grady Cole uses his own weapon to cauterize his wound, and resolves to keep moving despite his pain even when the captain begs to take a break. John Grady Cole may have done these things at the beginning of the novel, but the intenseness of his attitude makes it clear he isn’t really a young teenage anymore, and instead has adopted the attitude of the “wild west”.

He then comes back to America, hearing about his dad’s death in the process. At this newsJohn Grady Cole cries for the first time in the story. He later appears before a court, telling them his entire story, and the judge rules that he can keep the horse. John Grady later talks to the judge, saying that he doesn’t feel comfortable with the fact that the judge treated him sort of like a hero, even when he did wrong. This is interesting from the reader’s perspective because John Grady Cole is the protagonist of the story, and he always tries to do right. Still, John Grady Cole ended up doing some things that weighed on his conscience, including killing someone, and even though most of them did not feel like his fault to the reader, John Grady couldn’t get them out of his head. It just goes to show that no matter how moral you are, there is no way to come out of a lawless life fully clean.

John Grady tries to track down the owner of Blevins’ horse, bringing him to the home of Jimmy Blevins, whom he found on the radio. Though Jimmy Blevins and his wife do not turn out to be the owner of the horse, he has dinner with them. He also goes to meet Rawlins, but there seems to be some distance between the two. Lastly, he attends the funeral of Abuela, and the rides off into the sunset, seemingly aimlessly.

It is fitting at the end of the novel John Grady returns home, but home is not the same as it was when he left. He is not the same either. It is unclear which changed more. Following a central theme in the novel, I think that once Cole decided to leave home, he was fated to never come back, and continue being a wanderer, even if his adventure left him with many physical and emotional scars.

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Immigration in Pretty Horses

This book shows three American boys who have decided that running off to Mexico was in their best interest. They leave the ‘land of the free’ to go to another more physically free place. I found it interesting that these boys found it necessary for their success and happiness to travel to Mexico to find work and start a new life. In these times not many people decided to leave America, because it was the home of the most individual freedom. People normally went to America to find their freedom not away from it. This shows that in the 1940s there was a restlessness of the people for work and success. Everyone wanted to be a part of the American dream and if it did not come quickly to them or there was a small obstacle they looked elsewhere just like John Cole.